Brady Corbet’s “The Brutalist” emerged less like a new film worth checking out than a movie colossus to behold. Corbet’s visionary three-and-a-half-hour postwar American epic, shot in VistaVision, has taken on the imposing aura of its architect protagonist’s style.

With The Brutalist, Brady Cobert ascends to the apex of the modern directorial field, crafting a titanic vision of pain, perseverance, corruption, and the indomitable will to survive. A 215-minute epic as towering,

The Brutalist,” the director’s nearly four-hour study of immigration, identity, and marriage, flowed from his own struggle to create art without compromise. “You really have to dare to suck to transcend,

Channeling the vibe of 1970s New Hollywood epics, the actor-turned-filmmaker's story of an architect struggling to realize a dream project is an instant classic

Making a film is like designing a building, The Brutalist director Brady Corbet tells Dezeen in this exclusive interview. Corbet, who co-wrote The Brutalist, chose to make brutalism the central subject of the film,