Pedro Pinho’s Cannes-premiering I Only Rest In The Storm follows Sergio, a naive do-gooder who, as the film’s title implies, finds inner peace in places of chaos. In this case it’s the hurly-burly of ...

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Clueless and a bit pathetic, the American video crew in Magic Farm, writer-director Amalia Ulman’s new satirical comedy, embody the vices of Western media companies that exoticize, exploit and ...

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Publication with a focus on independent film, offering articles, links, and resources.

Each year Filmmaker invites the The Gotham’s Cannes Producer Network Fellows to post about their experiences attending the ...

Sister Midnight premiered at Cannes in 2024. Skirting over spoilers on Zoom ahead of the film’s theatrical release from ...

This year’s entries begin with a post by Daniel Tantalean, who produced the 2024 Sundance Grand Jury Dramatic Prize Winner, ...

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Filmmaker invites the The Gotham’s Cannes Producer Network Fellows to post about their experiences attending the Cannes Film Festival. This year’s entries begin with a post by Daniel Tantalean, who ...

Cannes-premiering A Useful Ghost is a multilayered cinematic extravaganza (and feat) that manages to seamlessly combine several deep themes: toxic pollution, soulless capitalism, the perils of ...

Ratchapoom Boonbunchachoke’s Cannes-premiering A Useful Ghost is a multilayered cinematic extravaganza (and feat) that manages to seamlessly combine several deep themes: toxic pollution, soulless ...